The research suggested that there were a lot more connections between these scenes than was supposed historically, he said. Everyone was a star, and everyone could be a star. Wiggle Room, East Village. Met Gala 2023: Celebrities Honor The Fashion Legacy of Karl Lagerfeld, NYC Water Bill Help Program + Rent Guidelines Board Vote Expected, White Collar Week: Margaret Love, Former U.S. Drag queens, crossdressers, facepaint, and sexiness everywhere. NEW YORK CITY New York City after dark in the '90s was an ecstatic fever dream fueled by club kids' outrageous fantasies, and as house photographer for Peter Gatien's four iconic clubs, Steve Eichner had a ringside seat for all the action. All though this club was all about breaking the rules, there was a distinct order to things. Brownies at 169 Avenue A was a hot spot during the "new rock revival" of the early 2000s, and hosted early gigs by The Strokes, Interpol, Yeah Yeah Yeahs, and Liars before shutting down in 2002. List of buildings, sites, and monuments in New York City, "#TheList: New York's Most Historic Night Clubs", "David Mancuso, Whose New York Loft Was a Hub of '70s Night Life, Dies at 72", https://en.wikipedia.org/w/index.php?title=List_of_nightclubs_in_New_York_City&oldid=1105376497, Lists of buildings and structures in New York City, Short description is different from Wikidata, Wikipedia articles in need of updating from October 2020, All Wikipedia articles in need of updating, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 19 August 2022, at 23:32. Head over to this brick-lined bar with neon lighting and a staircase lit up in pleasing LED lights located just a block north of Madison Square Garden. Yet as Lawrence writes, the influence of Levan and his club, the Paradise Garage, was already being felt at art-punk discotheques like the Mudd Club and Danceteria, where DJs such as Johnny Dynell and Mark Kamins were creating a new mix for a new, mixed audience. Though the '90s might not feel like that long ago, our city's neighborhoods are a world away from the gritty places they used to be, for better and for worse. There's a walking tour in New York to commemorate beloved gay bars and clubs that have closed down. The Palladium on 126 East 14th St. was both a cavernous dance club early episodes of Club MTV were shot there and a venue that hosted gigs by The Clash, The Rolling Stones, Devo, Public Image Ltd, 2 Live Crew, and Fugazi. Founded by New York City nightlife tycoon Amy Sacco, Bungalow 8 was the club of the early aughts. That melting pot of madness is the stuff legends are made of. Sacco and Bungalow rode a Sex and the City wave and the space quickly became the hot spot of the beginning of the decade. Yet what Life and Death on the New York Dance Floor makes acutely obvious, as both volume and prism, is not just the cultural value of the citys party scene, but how it also serves as a moral compass and how it still can. It was a mixing of lots of artistsvisual artists, graphic designers, video artists, music people, fashion people, etc. As the discussions of long-gone clubs gave way to movement on living, breathing dancefloors, the weight and spotlight of the citys history could be felt everywhere, in the crowd and in the DJ booth. He didn't take studio photography or anything like that.. The epitome of old-school New York Latin class, Palladium Dance Hall hosted everyone from Celia Cruz, the most famous Cuban songstress of all time, to Desi Arnaz to a parade of jazz greats so long it would have put a New Orleans funeral to shame. My first night was an after party for the Beastie Boys when they opened for Run-DMC at Madison Square Garden. As told by Steven Joseph Loza, in the book, Tito Puente and the Making of Latin Music, Sammy Davis Jr. and Jackson Pollack could regularly be found on the dance floor, while Marlon Brando could be seen on the bongos. Sign up for free Patch newsletters and alerts. The clubs brought people together, and I would delight in all the love and passion I saw throughout the club scene. I remember how the Rane crossfader felt under my hand as I dropped Nice & Smooths Old to the New. I remember being thrilled to meet DJ Jules but trying to play it cool. Then the girls returned to their capes to finish the number. Read about Eichner's memories in his own words and see his picks of his most joyful photos from the 90s nightlife in NYC: Photographing partiers at play was delightful for me and made entertaining pictures. At 254 West 54th Street, Steve Rubell and Ian Schrager converted a former opera house into the most notorious nightclub of the disco era. Image courtesy John Hemmer Archive. All the MCs at the time came through there Run-DMC, A Tribe Called Quest, Ultramagnetic MCs, 3rd Bass, Big Daddy Kane. For almost 20 years, those photos sat in Glams apartment in New York. He studied a doctorate in English literature at Columbia University by day, and clubs by night. I remember the burnt orange ambience of the club lighting, how it was bathed in smoke. With places like these, is it any wonder the city never sleeps? A four floor nightclub, Danceteria was the multiplex of the club kid world. Spas business model was predicated on pricey entrance fees, a booming sound system, and a crowd mix that would let you know that you were partying at a nightclub in New York City. The building was remodeled in 2003, and is now home to a handful of stores including the St. Mark's Market, a Supercuts, and a Chipotle. In 1995, Di Biasio gave Glam four boxes of his photos to store in his closet. I didnt know that in order to get a job as a DJ you had to already be working as a DJ and be cool enough to know the people who were hiring them. The lights are shining brightly, and people would be totally uninhibited. Only Studio B can fit that bill. A new book looks back at the iconic 1990s nightclub scene when sex, drugs, and dance music created the perfect cocktail for iconic parties that catered to revelers every imaginable whim. The space pioneered a lot of lighting and projection effects, and hosted early electronic music performances by Terry Riley and Morton Subotnick. There were other ways to have fun and let one's inner child out. Looking back, Spa seemed to be holding onto a different era as a new business model of bottle service emerged. The Tunnel had a ball pit where people could jump into thousands of yellow plastic balls and throw them around like an out of control kindergarten playroom. Rubell's maxim: "The key to a good party is filling a room with guests more interesting than you -- which meant Rick James, David Bowie, Andy Warhol, and hundreds of people youve never heard of, but who were living very weird lives in the late 1970s. I wouldn't remember the clubs as well if he didn't take the photos.. Popular history claimed the citys dance scene died under the strain of the forces that killed the disco craze. The exhilaration of having all eyes on you. I walk up Crosby Street these days past posh new hotels and boutiques having forgotten that at 116 and 160 were parties I attended. The original flyers were Kinkos Xeroxes on card stock. Website: Marquee New York. Today's gay nightlife experience feels sterile and conservative in comparison, and leads me to relive the past . To simultaneously participate, observe and process history through all of ones biases is a difficult task. In the ultimate party move, the club was shut down in 2001 by the liquor authority after years of negative attention from Mayor Rudy Giuliani as part of his "quality of life" campaign and the owner was deported to Canada in 2003. A 2015 survey of former nightclubs in the city identified 10 most historic ones, starting with the Cotton Club, . That was his niche. Through the coming years I held on to many of those flyers, snapshots of an amazing era in New York club history. Since opening in May, Wiggle Room is one our favorite nightclubs in terms of aesthetics, cocktails, and clientele. The club was basically ground zero for Madonna's career in the early '80s, and its regulars included Jean-Michel Basquiat, Keith Haring, LL Cool J, Cyndi Lauper, Sonic Youth, Run-DMC, The B-52s, Billy Idol, Duran Duran, and New Order. It's been said that New York City nightlife died with this club, which felt more like a living room where Chloe Sevigny, Mary-Kate and Ashley Olsen, Kirsten Dunst and more came to dance. On my nights off, I went to parties like Giant Step & Soul Kitchen. At The World we would see the latest house hits performed every week. Marquee New York. Even the most famous personalities in the city werent guaranteed entry into the exclusive venue. The stage at The Roxy. Wetlands was a socially conscious nightclub that supported environmental activism and hosted early gigs by Phish, Dave Matthews Band, Blues Traveler, Hootie and the Blowfish, Spin Doctors, and Pearl Jam. This famous club founded by Paul Sevigny, located in the West Village serving as the fashion sets go-to spot, had a short yet impactful tenure. How all of this was financed might be the best Studio 54 story of all: when the IRS shut things down in 1979, it was because theyd found garbage bags of money (and drugs) stashed throughout the club. Paradise Garage, Keith Haring, Birthday Party for DJ Larry Levan. To paraphrase Peter Venkman no job was too small, no fee was too small. Both were DJ sets by older English men that lasted upwards of six hours. Club kids were known for their wild ensembles, which drew inspiration from punk, S&M, and clown styles. Reporting on what you care about. It wasnt just about the law. Something went wrong. (1983-1990s) The Loft (New York City) Nell's (1986-2004) Palladium (1976-1995) The Q; Riobamba; The Saint; Stork Club; Studio 54 (1977-1991) Therapy; Drugs, deals, and the wildest parties you can imagine. Cher was notably denied entrance, because -- as owner/namesake Nell Campbell recalled in the Times, she didnt have the right look. And Nell herself took her partying very seriously, as Michael Musto once recounted seeing her "voguing naked on top of [one of Nell's] tables." Luckily, I did a good job that night plus, it probably didnt hurt that I was cheap labor. A killer flyer didnt guarantee a good party but you look at any flyer in this book and you can picture the great time being had. The last 30 years have seen the citys meaningful party scene on the brink of extinction during one of the panels, Krivit put the number of cabaret licenses issued during the early 80s at 4,000; in 2016 it is around 120. New York City, 1994. So I was shocked when I got that call a few days later, asking if I wanted to play the opening slot at their new party the coming Friday. When we moved locations, we were able to tell the people who we REALLY wanted to be there and get it back to the core group. And where Life and Death-era musical programming actively attempted to cut across genres and audiences, todays club nights are more tailored to individual sounds, textures and BPMs. Purchase No Sleep at Amazon, Barnes & Noble, and other fine retailers. B. We went from Brothers, where we had like 50 people, to 1,500 people plus, with crowds lined down the street to get it. Flash, meanwhile, is riding his third wind. I was lucky to see Paris Grey sing Big Fun, Good Life with Inner City (one of the first house hits) as well as Bas Noir, Jomanda, A Guy Called Gerald, Liz Torrez, Loleatta Holloway, Two Tons of Fun, and even XLR doing Work It to the Bone.. In the mid-1970s, he helped perfect record-scratching as one of the cornerstones of the Bronx culture that came to be known as hip-hop. 2. The Garage, meanwhile, was home to not just the gay, black dancers historically placed there, but also young art-punks and nascent hip-hop kids, whose music found life on Levans turntables. A new documentary, Do You Own The Dancefloor?, talks to . Lawrence first escaped to New York in the early 90s at a sensitive time in his life, following the sudden death of both parents and an early crisis of professional faith at BBC Newsnight. In their place, smaller clubs like Tunnel opened in Chelsea, and that's when Glam said the club kidsyoung, outlandishly dressed people who partied several times a weekemerged. Hearst Magazine Media, Inc. All Rights Reserved. Pictured: The Rolling Stones at Danceteria promoting their album Emotional Rescue. It was on the rooftop of Cuando which was a school on 2nd Ave and Houston Street. Located on East 14th street, the downtown club founded by Studio 54's Steve Rubell was known as one of New York's largest rock venues and dance clubswith iconic music stars such as Madonna making appearances. Owned by Peter Gatien, the church turned nightclub was at the center of the punk and disco scene in the '80s. Emotionally, critically, intellectually, its hard to say that New York is the kind of mecca for dance music that it was in the 70s and 80s. The streets were grimy and the neighborhoods segregated but in the club world, we were integrated and drugs were not necessarily part of the experience. Come along for the ride! On the eve of a week that would see New York City host a handful of events to celebrate and spotlight the release of Tim Lawrences new book, Life and Death on the New York Dance Floor, 1980-1983 a study of what the author convincingly identifies as the citys cultural renaissance, when hip-hop, new wave and dance music collided in clubs like Mudd and the Paradise Garage one of the books characters was making a rare Brooklyn appearance at a space in Bushwick. Nells was the epitome of the exclusivity-obsessed 1980s, that not even the rich and famous could get into. Its a simple royal blue, glossy card adorned with an image of a 70s era Barry White. We had to bring 20,000 pounds of sound equipment up five flights of stairs to throw the party and then bring it down the next day.
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